andrewmarvick.com

New Paintings 2008
New Paintings 2008: A Huge and Unmeaning Chandelier
New Paintings 2008: Broken and Equivocal Hints of Unease
New Paintings 2008: As White as the Paper on Which I Write These Lines
New Paintings 2008: A Grim Prospect
New Paintings 2008: Demi-monde
New Paintings 2008: Hard by the Dim Lake
New Paintings 2008: Imprints from the Paper Skeleton
The Paper Skeleton 2008: Ulalume
The Paper Skeleton 2008: A Weak and Irregular Remembrance
The Paper Skeleton 2008: An Apathetic Endurance of Dull Pain
The Paper Skeleton 2008: The Leaden-Footed Hours
The Paper Skeleton 2008: The Gray Ruins of Memory
The Paper Skeleton 2008: An Indistinct Regathering of Feeble Pleasures
The Paper Skeleton 2008: My Gloomy, Gray, Hereditary Halls
The Paper Skeleton 2008: Slower Than the Minute Hand of a Clock
The Paper Skeleton 2008: That Long Agony
The Paper Skeleton 2008: An Atmosphere Peculiar to Themselves
The Paper Skeleton 2008: The Gray Wall and the Silent Tarn
Imprints from the Paper Skeleton 2008: 12. A Pestilent and Mystic Vapor
Paintings 2007: The Mourning Echo series
Paintings 2007: The Metal series
Paintings 2007: The Fugue Series
Paintings 2003 - 2007: The Concentrate series
Paintings 2007: The Swerve series
Paintings 2007: The Generation series
Paintings 2006 - 2007: The Rent series
Paintings and drawings May-June 2007: Paris and Tuscany
Paintings 2003: The balance tilting
Paintings 2002: Two abstractions
Paintings 1998 - 2006: A study of Neo-Plasticism
Paintings 1999 - 2002: Minimalism and George Inness
Paintings 1997 - 2004: Portraits and figure studies
Paintings 1997 - 2005: Landscape paintings
Paintings 1997 - 2001: Still life paintings
Paintings and drawings 1974 - 1985: Youthful work

In Gregorian Form (detail)

Metal 2: In Gregorian Form (detail). Oil on canvas, 48 x 48 inches. August 2007.

andrewmarvick.com

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In Gregorian Form (detail)